Slender Man (2018)
In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn’t actually exist – until one of them mysteriously goes missing.
The Slender Man will always be a fascinating subject matter, ever since his conception on the horror forum Creepypasta (don’t fact check me, I don’t know his exact origin). There have been several films about his legend over the years – The Slender Man (2013) and the Beware the Slenderman documentary (2016) to name a couple – but so far none have been very good. Somehow, this seems to be one folktale that is difficult to get right.
Does Slender Man finally nail our boy in all his glory? Well, no. No it doesn’t.
Unfortunately, this movie’s main crime is that it’s boring and there’s not really any coming back from that. Our leads – Joey King and Julia Goldani Telles – really try to keep up their end and they are the best things in this but it still falls flat. That said, it is by no means the worst film ever made, there are parts that work, if only the makers had followed those through.
Our foursome, Wren (King), Hallie (Goldani Telles), Chloe (Jaz Sinclair) and Katie (Annalise Basso) are just like any friendship group. They’re slightly rebellious, have precocious banter in the school hallways and enjoy heavy sexual tension with the boys. When the same boys boast about a secret ‘project’ they’re doing together one night, the girls are naturally intrigued.
When they find out that the boys plan to summon Slender Man via a video on YouTube, they’re keen not to be outdone and impulsively watch it themselves. The video, reminiscent of the one from The Ring is a mish mash of dream sequence and bizarre symbolism featuring the skinny one. Although it makes little sense at this time, it is haunting and deeply effects each of the girls.
Katie seems the most spooked, staring out into the middle distance and being quieter than normal. Shortly afterwards she goes missing on a school trip (to a grave yard?). This leads her friends to dig deeper and try to make a bargain with Slender Man to bring her back. Well, you can imagine how reasonable a child killer compared to The Pied Piper of Hamelin might be.
Although a lot of the forest imagery becomes tiresome quickly (and the film is REALLY REALLY DARK all the time making it hard for 40 year olds with bad eyesight to follow), there are a couple of things I did like. Firstly, I should say that Slender Man is not revealed too soon which I really appreciate. When he is though the effects are questionable and I just think less is more when it comes to an enigmatic character like this.
While the girls are researching SM on a Creepypasta-esque website they stumble across a series of ‘real life’ sightings and these are really creepy and effective. Likewise when Hallie spies him in the trees at school, that’s a potentially iconic image.
There’s also a pretty tense scene in the library as Wren receives a visit which I thought was good. Ultimately though, a couple of cool ideas are not enough to see this one through and it loses steam about half way. As each of the girls experiences their own sighting, to varying degrees of horrible, their friendship is pushed to the limit. How are they going to stop him before it’s too late?
As I type this I realise that I can’t even remember what happens to Wren and Hallie and that is not a good sign (I looked it up, oh yeah). I would say this is one that might be worth a look when it comes on Netflix but would probably piss you off if you’d spent £10+ on a cinema ticket.
Back to the drawing board I guess.