Ron Stallworth, an African-American police officer from Colorado, successfully manages to infiltrate the local Ku Klux Klan with the help of a white surrogate, who eventually becomes head of the local branch.
There’s a lot to say about this movie and yet I don’t think I’m going to go all in. I enjoyed it very much and found it very moving in places. It also made me laugh, shake my head, feel disgusted – basically most of the emotions you would associate with a Spike Lee movie.
The narrative focuses on Ron Stallworth (John David Washington), a black cop who, with the help of his team, manages to infiltrate the KKK. While he charms a number of organisation members over the telephone, he has an obvious issue when it comes to meeting them face-to-face. Enter Flip Zimmerman (Adam Driver) then, Ron’s Jewish (and white) body double.
Will Flip be able to keep his end up in person, while Ron cons KKK founder David Duke (Topher Grace) over the phone? And will he come to realise, as Ron warns him, that he has more stake in the game than he knows?
Given the pressure being piled on him by tightly wound Klansman Felix (Jasper Pääkkönen), who knows?
Meanwhile, Ron tries to romance the lovely activist Patrice (Laura Harrier) who doesn’t know who he really is, which is a bad scene given that she hates pigs. Having experienced more than her fair share of police brutality, she kind of has a point – can he persuade her that he’s one of the good guys, changing the system from the inside?
BKKK is very much a Spike Lee movie with some very clear Lee signatures. It pays homage in tone to some of the great blaxploitation movies and blends dark humour with even darker imagery. The final scenes splice truly frightening KKK rhetoric with real life terrorist footage – and it’s a hard pill to swallow. As it fucking should be.
Denzel‘s boy John is remarkable as Ron while Adam Driver is as dreamy as ever. He’s so tall I would like to climb him like my favourite childhood tree. Which might be missing the point a little. One of my favourite scenes is the one in which Flip muses how little he’s cared about his own heritage up until this point.
I also have to say that Pääkkönen, as the truly frightening Felix is a stand-out for me. He’s repugnant obviously but is played to perfection, a ticking time bomb of a character, hell bent on exposing Flip as Jewish and a cop to boot, something no other member of the Klan believes.