A Simple Favour (2018)
A woman seeks to uncover the truth behind the disappearance of her best friend.
This film is by far my favourite lately, if not all year – and there have been a pile of really good films so far. It just appeals to my bitchy nature with its zingy dialogue, incredible appearance and genuinely tense thriller vibe. It will be hard to talk about this without dropping #spoilers so I’m going to remain as enigmatic as possible – just like Blake Lively‘s mysterious Emily Nelson.
Stephanie Smothers (Anna Kendrick) is a slightly irritating mommy blogger who one day meets and befriends the chic and charismatic Emily Nelson at her son’s school. The two quickly bond over martinis and secrets. One day, however, Emily calls Stephanie for a simple favour – to pick up her kid while she deals with an emergency.
Days later and no sign of Emily, Stephanie is forced to contact her husband Sean (Henry Golding again), who is in the UK tending to his ailing mother. The two of them become closer as they try to work out what happened to Emily – and let me tell you I’ll probably have to stop myself here just to be safe. Let’s just say that Stephanie’s secrets aren’t the only ones out there – what could Emily’s be?
The story unravels via a series of vlogs put together by Stephanie whose views increase tenfold the more she updates her audience on the Emily case. This is a play on the ‘screen life’ format most recently used in Searching and I think it’s really fresh, although it doesn’t all play out on screen, we also visit present time and flashbacks to build up the story.
I must say that I went into this knowing I’d be impressed but not really knowing what to expect – Paul Feig‘s filmography contains a lot of broad comedy which I love but didn’t expect in this movie. Which I was right about, the humour is pitch black and sharp AF but it’s more sophisticated than usual.
Blake and Anna have never been better than here. They look great but they bounce of each other so well and the dialogue they’re given to play with made me cackle throughout. There’s a scene in which Stephanie confronts Emily’s fashion designer boss that was priceless and an excellent showcase for Kendrick’s comic timing.
Helen and I left the cinema just saying “Wow” to each other dozens of times. It’s just done very well and hopefully, along with the aforementioned Searching, will pave the way for more smart arse thrillers, I feel like they might be having a moment.
As for the costuming, don’t think I’m going to sign this off without swooning over both women’s wardrobes. More so Blake who rocks sharp tailoring like nobody’s business. Is there anything sexier that a woman in a well cut suit? I think you’ll find not. Anyway, I’m quite prepared to spend more time in the theater re-watching this movie because it’s bloody great and exactly what I wanted.
Whatever you do, go see this.